Concrete art and design or concretism is an abstractionist movement that evolved in the 1930s out of the work of De Stijl and "Bauhaus", the futurists and Kandinsky around the Swiss painter Max Bill. The concept "concrete art", or in French, "art concret", was brought into language about art consciously in 1924 by Theo van Doesburg as the opposite of "abstract art" in his "Manifesto of Concrete Art" (1930). In his understanding, this form of abstractionism must be free of any symbolical association with reality, arguing that lines and colors are concrete by themselves.
"The goal of concrete art is to develop objects for mental use, the same way people make objects for material use. "Concrete art" does not mean figurative art. The term "concrete" is an art that is not abstract in the sense that that it does not abstract or distort natural models. Concrete art means much more an art that is based on lines, surfaces and colors and in many ways follows a clear geometric principle. Max Bill wrote in 1947: Concrete art, as a last consequence, the pure expression of harmonious measure and law." In addition to the group, van Doesburg published the journal Art concret in 1930. Concrete art had an important influence on Colour Field Painting and on Op Art.
Max Bill further promoted this idea, organizing the first international exhibition in 1944. The movement came to fruition in Northern Italy and France in the 1940s and 1950's through the work of the groups Movimento d'arte concreta (MAC) and Espace.